Artwork
#artwork historical past
#digital
#humor
#ND Stevenson
Greater than 100 years after it was first exhibited, artwork historians nonetheless debate whether or not Marcel Duchamp’s “Fountain,” submitted to the 1917 Armory Present in New York, was a wry joke or sly commentary on trendy artwork—or each. That’s as a result of the sculpture, a urinal the artist signed “R. Mutt,” was simply a normal piece of plumbing. However Duchamp can be recognized to have coined the time period “readymade,” during which he displayed objects like bicycle wheels or snow shovels as artworks unto themselves, posing the elemental query that also thrills theorists: “However is it artwork?”
If Duchamp have been round at the moment to know what an emoji was, he’d most likely love comedian artist ND Stevenson’s tackle “Fountain,” composed of a slew of what we’d take into account Twenty first-century digital readymades. A number of years in the past, the artist found out that he may add numerous icons to the usual Instagram tales template, resizing and rearranging them to create authentic compositions.
Beginning with a fundamental background picture, Stevenson provides quite a few components, like a fork standing in for a pitchfork in Grant Wooden’s “American Gothic” or an upside-down purple exclamation level instead of a necktie in René Magritte’s “The Son of Man.” For Johannes Vermeer’s “Woman with a Pearl Earring,” a bowl and a cloud present the premise of the topic’s well-known blue-and-white head wrap; a rest room stands in for Duchamp’s urinal; and quite a few flowers, evil eyes, books, cheese, and urns make up the patterns of Klimt’s embracing figures in “The Kiss.”
It’s value diving into Stevenson’s submit for extra emoji recreations.
#artwork historical past
#digital
#humor
#ND Stevenson
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