Earlier than the spectacle that was the 2022 Oscars even started final evening (learn: the Will Smith and Chris Rock altercation), the Academy Award for greatest manufacturing design went to manufacturing designer Patrice Vermette and set decorator Zsuzsanna Sipos for his or her work on Denis Villeneuve’s epic adaptation of Dune starring Timothée Chalamet and Zendaya. It was the third nomination and first win for Vermette, whose previous work contains the Amy Adams-led sci-fi thriller Arrival and the Dick Cheney biopic Vice. It was each the primary nomination and win for Sipos.
The prize, together with seven different awards together with three quick movie classes and greatest rating, modifying, make-up and hairstyling, and sound, was introduced throughout a preshow created this yr in an effort to trim down the primary present. The transfer was extensively criticized, with the Set Decorators Society of America even sending an open letter to the Academy again in February.
Nonetheless, Vermette and Sipos gracefully accepted their award, with the manufacturing designer calling it “the head of 30—32 years of labor.” He additionally thanked late filmmaker Jean-Marc Vallée, who died in December and directed a few of the most stylistically placing tv sequence lately together with Large Little Lies and Sharp Objects, in addition to the Oscar-winning 2013 drama Dallas Consumers Membership. “Thanks since you believed in me very early on in my profession.”
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For Dune, which is ready on fictional planets within the yr 10,191, was largely filmed at Origo Studios in Budapest and was largely constructed on sound phases regardless of the futuristic look viewers may assume is all particular results. “Denis’s strategy is all the time to have units which can be as immersive as doable,” Vermette informed AD again in October. A lot of the motion takes place on planet Arrakis, the place the units consisted of huge, partially underground palaces product of thick stone. Mild wells are extra prevalent than home windows, and the buildings are fairly angular to permit the 750-kilometer-per-hour sandstorms to roll proper off of them. The result’s placing, and calls to thoughts WW II bunkers, Mesopotamian ziggurats, Egyptian and Aztec pyramids, brutalist structure, and even the Italian Sixties and ’70s design collective Superstudio.